Heroes 4 Haiti encourages comic book creators to use eBay to raise relief money

By Greg Pak
Heidi MacDonald has just passed on word about Heroes 4 Haiti, a website organized by artist Mike Cavallaro with a plan for how comic book creators can help raise money for Haiti relief. The idea is for individual creators to create their own eBay auctions using the eBay charity tools to sell art or books. The proceeds will then go directly to Haiti relief. Creators can then post links to their auctions at the Heroes 4 Haiti site.
Sounds like a great idea and I’ll try to contribute shortly.
Click here for more info and to find links to the current Heroes 4 Haiti auctions.
Click here for other ways to donate.

Real World News: Donate to Haiti relief via text messages

By Greg Pak
If you have a cell phone, text messaging capabilities, and five or ten bucks to spare, right now is the time to donate towards relief for the victims of the earthquake in Haiti. It’s incredibly easy. From Wyclef Jean’s website:

… you can use your cell phone to text “Yele” to 501501, which will automatically donate $5 to the Yele Haiti Earthquake Fund (it will be charged to your cell phone bill)…

And from the Red Cross website:

The public can also help by texting “Haiti” to 90999 to send a $10 donation to the Red Cross, through an effort backed by the U.S. State Department. Funds will go to support American Red Cross relief efforts in Haiti.

Other great places to donate include Doctors Without Borders and UNICEF. For more suggestions, check out the lists at Hullabaloo, CNN, and MSNBC. Finally, take care to avoid the scammers, who will soon be out in force with fake websites and emails — but please don’t let that stop you from donating to any of the legitimate relief efforts above or by clicking on the Doctors Without Borders image below.
Support Doctors Without Borders in Haiti

Slant Film Festival needs help

A FilmHelp post by Greg Pak
Just got word that the Slant Film Festival is facing a budget crisis due to arts funding cuts. For the past ten years, Slant has provided audiences in Houston, Texas, their only chance to see many, many Asian American films — including a few of my own.
Click here to donate — and if you have an Asian American film, click here to submit it to this year’s festival (deadline is January 30).

2010.01.27 – Asian American International Film Festival early deadline

A FilmHelp posting by Greg Pak
The Asian American International Film Festival in New York was the very first venue to ever screen one of my films and just might have shown more of my films over the years than any other festival on the planet. So I’m very pleased to pass along info about the latest call for entries for the AAIFF’s 2010 edition this July. Early deadline is January 27; the late deadline is February 24. Click here for the full scoop on how to submit.

Pak Talks Comics: Comic books and the Apple tablet

Disclaimer: Everything written below is the sole opinion of yours truly based on personal experience and published news reports. I have no insider knowledge about any actual tablet or any company’s efforts to prepare for its coming.
By Greg Pak
In 1999, Apple changed my life as a filmmaker by introducing Final Cut Pro, a digital video editing program that allowed me to cut professional quality video on my home computer. Without Final Cut Pro, I might never have been able to make any of my post-film-school short films or my feature film “Robot Stories.” And so I might never have gotten a job working as a writer for Marvel Comics.
This month, I’m hoping Apple changes my life as a comic book writer by releasing the much-hyped but never confirmed Apple tablet, which according to the latest rumors is called the iGuide or iSlate, has a 10.1 inch touch screen, and will be announced on January 26, 2010.
In my digital comics fantasy, a gorgeous tablet computer supported by an integrated, easy-to-use and reasonably priced online store will lead to the exponential growth of the comics buying audience. Prices of individual comics will fall, but the circulation will be so much higher that profits will increase handsomely. A whole new generation will grow up reading comics every day, big comics will become blockbusters, small comics will build healthy niche audiences, and we’ll all grow sleek and fat and happy.
How can that fantasy become reality? Read on for one comic book writer’s two cents:

Continue reading

The eMate Hinge Fix: Yeah, I actually did it, and here’s what I learned

Another hypertechnical FilmHelp article by Greg Pak
In an article last month singing the praises of the 1997 Apple eMate as an outstanding low-tech writing machine, I noted that one of the big flaws of the eMate is its infamous hinge problem, which can result in a spring popping loose and puncturing the monitor cable.
I’m happy to report that I finally broke out my Torx screwdrivers and soldering iron and followed the excellent instructions at pda-soft.de, inventors-emporium.co.uk, and unna.org (warning: pdf) to fix my machine’s hinges.
It’s a pretty involved operation, and I highly recommend reading through the instructions and assembling all necessary tools and supplies before starting it. A few pointers:

  • The hinges are much smaller than the closeup photos in the guides might lead you to believe. I didn’t measure them, but if you’re planning to do the washer fix, you should have a few very small washers on hand to experiment with. The washer I ended up using was just 7/16 of an inch wide.
  • Have all the necessary supplies on hand, assuming you’ll go all the way through with the hinge fix. I opened up the machine thinking I’d just check the hinges. But when I saw that one of the springs on the hinge near the monitor cable had begun to shorten, I realized I needed to go through with the whole operation. Unfortunately, I didn’t have the recommended grease on hand, so I ended up just using a few drops of 3-In-One oil. I’m guessing that’s an acceptable substitute at least for the short term, but if the lid seems to stiffen over the next few years, I may have to open the machine up again and grease the hinges properly with the right stuff.
  • When reassembling the machine, make sure the volume and dimmer tabs from the front case are lined up with the sliders on the motherboard. I forgot about this step and had to reopen the machine (which required another round of soldering).
  • I freaked myself out a bit when the machine wouldn’t start up after the whole operation. But when I pressed the reset button on the back of the unit, it came back to life. I think the blank screen’s a reaction to all power being cut off from the machine during the repair process.
  • It’s a good idea to have some strong epoxy ready before undertaking the repair. When I opened up my eMate, one of the small plastic posts on the inside of the machine that serves as the base of one of the battery cover screws cracked. The top of the post fell off and I had to glue it back on during the reassembly. That makes me think it’s also a good idea not to over-tighten the screws to the battery compartment to avoid stressing those posts too much.
  • Make sure you have enough time to complete the project before starting. It’ll probably take at least two hours — and probably longer, if you’re taking proper care and it’s your first time opening the machine.

Pak Talks Comics: Reader Q&A on filmmaking!

Welcome to Pak Talks Comics, wherein comics writer and filmmaker Greg Pak answers your questions. Click here to submit your own questions — and read on for the latest answers!
Jeffrey Thompson: What attracts you to filmmaking?
Greg Pak:
Filmmaking lets me flex every muscle in my body and brain. I grew up drawing, writing stories, doing black and white photography, and performing with school drama groups. All of those interests come together in making movies.
Also, I just plain love movies.
Finally, I love the process of filmmaking — particularly working with actors, the cinematographer, and the sound designer and composer to find the emotional core of a scene. There’s something absolutely beautiful about figuring out what a scene’s really about and being able to support that from every angle.
JT: Does a background with comics help with film making?
GP:
It actually worked the other way around for me — I started off in film and then became a professional comics writer. Then again, when I was a kid, I was drawing cartoons long before I ever had the chance to make a movie, so I guess it works that way, too.
So the answer is yes — going in both directions. Working in film definitely helped me get my sea legs in comics. I’d written dozens of shorts and a few feature films before I ever wrote a comics script. And since the basic principles of dramatic storytelling are the same, I suppose I had a pretty good foundation. Of course, there were a ton of comics-specific quirks and techniques I had to learn (and continue to learn to this day). But all that practice in thinking about how to tell stories visually was incredibly helpful.
And now, moving back into filmmaking with my latest short film, “Mister Green,” I’m finding that there are some things I’ve learned from comics that are helping me with filmmaking. I had a great time working with my cinematographer Sam Chase on the “Mister Green” set largely because the two of us found a really great vibe and in the face of some insane scheduling pressures, we were willing to take some big chances regarding the look of the picture that paid off in a big way. (That’s Sam and yours truly to the right there, thinking big thoughts on the set of “Mister Green.”)
I think working in comics, where there’s always an insane deadline that forces a constant series of nearly instantaneous creative decisions, has helped me become a little more fearless about taking the big creative leaps necessary to find beautiful solutions to seemingly unsolvable problems.
Thanks for reading and click here to submit your own questions for the next column!

The eMate vs Dana vs Neo showdown!

In search of the perfect retro writing machine

A FilmHelp article by Greg Pak

Back in 2001 when my main laptop was a 6.1 pound G3 “Pismo” Powerbook with 90 minutes of battery life, I found out about the Alphasmart Dana, a two pound writing machine with a full-sized keyboard that ran on the Palm operating system, could sync with my main computer, and would operate for 25 hours on a single charge. After getting a Dana as a gift, I used it to keep a journal of the “Robot Stories” distribution process and to write some of my early comic book scripts for Marvel while on the road. I loved being able to carry it around in a backpack or satchel without feeling the weight at all. I liked being able to use it on the subway without the same level of anxiety I’d have pulling out a $3000 laptop. I loved the instant on/off nature of the machine. And I dug the way a simple interface combined with incredibly long battery life and supreme portability encouraged me to write whenever I had the chance or inspiration.

I put my Dana on the shelf and forgot about it for a while after I got my first iBook. The lightness of the iBook (and its fresh, long lasting battery) addressed some of the Pismo drawbacks that had pushed me towards the Dana. But while clearing my office of old electronics last month, I pulled the Dana down from the shelf and began using it again.

I had so much fun typing on the Dana that I found myself thinking about how it could be improved. A better screen, a stronger backlight. A different form factor that would make it easier to write while lounging on a couch or in bed. And lo and behold, while poking around various Macintosh websites, I stumbled across the Apple eMate, a four pound portable computer sold to educational markets in 1997 and 1998 that bore some surprising similarities to the Dana.

Both the Dana and the eMate were designed with the educational market in mind. Both are solid state computers with no moving parts and incredibly sturdy plastic bodies. Both run on software originally designed for pocket organizers and feature a stylus rather than a mouse. Both have black and white screens with green backlights. Both use their own barebones but functional word processors that can export and import rtf files. Both turn on instantly and automatically save everything that you type. And both run for days on a full charge.

The main difference is form. The Dana is the more stripped down machine — with a full sized keyboard and a wide but short, non-adjustable screen. The eMate has a laptop-style screen that shows about twice the number of lines that a Dana does. The eMate’s only four pounds, but the Dana’s just two.

After staring hungrily at eBay listings for a couple of weeks, I finally pulled the trigger on a used eMate — paying ten bucks for the machine and another twenty for shipping. And then I picked up a used Alphasmart Neo, an even more stripped down writing machine with a similar form factor to the Dana but without the Palm operating system and the non-writing oriented software.

So here, at long last, is a point-by-point showdown between the eMate, the Dana and the Neo to determine which computer is indeed the perfect writing machine.

Continue reading

FilmHelp: Dead battery in Alphasmart Dana crashes entire unit

Another hypertechnical FilmHelp article from Greg Pak
I recently acquired a used Alphasmart Dana (original AA series, 8 mb memory) that wouldn’t start up. Since these machines are all solid state and are built for abuse, I highly suspected that the problem was just a dead battery. But when I plugged the Dana in via USB or via an AC adaptor, the machine still wouldn’t start up. The closest I got was the Palm logo briefly flickering across the screen, even when I tried both soft and hard resetting the unit.
Finally I removed the battery and inserted a charged battery from my working Dana. And the new Dana started up immediately! I was able to reset the unit, and from that point on it was able to work with either the AC adapter or with three AA batteries.
But when I reinserted the dead battery (in hopes of charging it), the machine froze again and wouldn’t start up — even when plugged into the wall. It required a hard resetting to function properly again.
My final test was to try the dead battery out on my working Dana. The result was the same — the Dana froze up and had to be hard reset to function again.
Conclusion? A dead battery can cause an Alphasmart Dana to crash. Recovery may require a hard resetting, which wipes out any added data, returning the machine to its factory presets.

Replacing the internal battery on a Macbook Air

Another hyper-technical FilmHelp article by Greg Pak
I recently replaced the battery on a first generation Macbook Air (1.8 GHz). The Macbook Air battery isn’t considered “user replaceable” by Apple — it’s locked inside the enclosure, held in place by nine screws. Apple charges $129 to replace the battery. But I wasn’t thrilled about wiping the drive (for security reasons) and giving up the computer to be serviced. Instead, I bought a new replacement battery for $70 on ebay and followed the incredibly helpful instructions at ifixit.com to open the case with a tiny Phillips head screwdriver and replace the battery.
I started the project with some trepidation because I’d generally seen laptop batteries peter out bit by bit — I’d never had a battery suddenly cease to hold a charge the way this one died. So I had my fingers crossed that this wasn’t part of a bigger problem involving the logic board. But since the computer works perfectly post-op, it’s pretty clear I just had a dud battery.
Since I couldn’t find an exact description of the symptoms I was seeing online, I’m posting what I experienced in hopes that it helps others.
Symptoms:

  1. The battery suddenly stopped charging. The computer would work as long as it was plugged in, but the LED on the magsafe charger would stay green rather than turn to the amber charging color and the battery monitor would report that the battery was empty and wasn’t charging. This might have been shortly after the battery was totally drained. The battery had 227 cycles on it. I followed the instructions at Apple.com to reset the SMC. And I reset PRAM for good measure. Neither procedure helped.
  2. In OS 10.5.8, under the “Power” tab in the system profiler, the battery showed up but was tagged with “Check Battery.” When I restarted using a Snow Leopard (OS 10.6.1) installation on an external USB drive, the battery icon in the menu gave the message “Replace Battery.”
  3. If the power cable was disconnected after shutting down, upon restart, the computer would give me an alert that time and date were incorrect. On other computers, that would be an indication that the internal PRAM battery was dead. But now that I have a working battery in the laptop, there’s no problem with losing date and time settings. I’m deducing that the Macbook Air has no internal PRAM battery — so if the laptop battery is totally drained, the settings that the PRAM battery would normally maintain are lost.

  4. Several times after the computer died because the the AC adapter was unplugged, it made a long “bong” sound upon restart. Not the normal startup chime, but a long, more alarm-like bong. That’s generally a sound associated with memory failure. But the computer started up normally after making the bong and the System Profile showed all memory intact. I ran the Apple Hardware Test, which also showed no problems with the memory.

Solution:
Replacing the battery fixed everything.
Conclusions:

  1. A completely dead battery in a Macbook Air apparently causes Date & Time settings to be lost — presumably because the computer has no separate PRAM battery.
  2. A Macbook Air battery might indeed just conk out suddenly rather than gradually lose its ability to recharge over time.
  3. Still no idea where that long “bong” sound came from.