By Greg Pak
Like college kids bragging about how many all-nighters they’ve pulled to finish their thesis papers, low-budget filmmakers sometimes get into stupid games of one-upsmanship about the ridiculous length of their shooting days.
Don’t go there, friends! The longer you let each shooting days become, the more mistakes your crew will make, the crankier everyone will get, and the less well you will perform as a director.
Industry standards require a minimum of ten hours “turn around time.” This means that there should be at least ten hours between the time everyone leaves the set and the minute everyone arrives onset.
I’d recommend planning for shooting days of no longer than 12 hours. Yes, you’ll save a little money on equipment rentals if you shoot three sixteen hour days rather than four twelve hour days. But the savings are deceptive — with a sixteen hour day, you’ll need to feed people dinner as well as lunch. And the cost of extra mistakes and poor performance due to exhaustion may be incalculable.
From time to time, unforseeable circumstances may force you into a sixteen hour day. So be it. But don’t let it become a habit.
By Greg Pak