By Greg Pak
Admittedly, merely having a website will not instantly result in millions of people clamoring for your film. But it’s an essential part of your promotion strategy. At the very least, being online makes it possible for interested people to find you and your films and distributors easily.
A website can also save you some grief and postage — when a festival calls you at the last minute wanting your bio or film synopsis, rather than faxing the material, you can say, “It’s all on my website!” I’ve even had a film festival in Japan pull my mugshot from my website, which easily saved me twenty bucks in international Fed Ex fees.
A good website also generates credibility. In college, friends used to claim they’d get at least a half-a-letter increase in their grades when they laser printed their papers. A clean, attractive website provides the same kind of clout — you look like a professional! an artist! an up-and-comer! — even if you live in a garret, work in a copy shop, and eat canned soup every night for dinner.
You may think it’s too expensive to get a website. But if you’re online, you probably already have one. AOL provides 2mb of free space per screen name for personal websites; most other ISPs have similar deals. If you have a free weekend, you can easily learn basic HTML and get some info online.
Now to make the site look great and possess all of the clean design saavy that makes for a painless and pleasurable surfing experience, you may need to invest more time and money or hire a designer. Yes, it could cost you anywhere from a few hundred to a few thousand bucks. But you just blew twenty thousand on your film and a thousand just on festival entries — you’re gonna stop now?
By Greg Pak