Blown away to see Pearl Pangan, a.k.a. Wave, added to another Marvel video game — this time in a speaking role!
Wave was co-created by yours truly and artist Leinil Yu in 2019 and debuted in WAR OF THE REALMS: NEW AGENTS OF ATLAS #1.
Blown away to see Pearl Pangan, a.k.a. Wave, added to another Marvel video game — this time in a speaking role!
Wave was co-created by yours truly and artist Leinil Yu in 2019 and debuted in WAR OF THE REALMS: NEW AGENTS OF ATLAS #1.
June 23 looks like a pretty big day for comics written by Greg Pak!

DARTH VADER #13 launches Vader into the thick of the War of the Bounty Hunters crossover – with the Dark Lord taking on IG-88, everyone’s favorite killer Phlutdroid! Written by yours truly with interior art by Raffaele Ienco, colors by Jason Keith, and letters by Joe Caramagna. Preorder it here!

FIREFLY #30 continues the epic story on Earth that Was as our heroes learn what exactly it means to be “Infernia.” Interior line art by Simona Di Gianfelice, colors by Francesco Segala, letters by Jim Campbell. Preorder it here!

But that’s not all! On June 23, you can also pick up the second volume of our hit DARTH VADER series! Interior art by Raffaele Ienco, colors by Neeraj Menon, letters by Joe Caramagna. Order it here!
Yes, I stayed up past 3 am last night working on a website revamp. Yes, that was too late. No, I couldn’t stay away from it today.
But YES, I am very pleased with where I am now!
I thought I was just going to dive in for a few minutes to do a little more customization of the Twenty Twelve WordPress theme I installed yesterday. But instead, I got annoyed with the wasted white space at the top of the page and started poking around looking for a new theme. And after a bit of searching, I installed a theme called Twenty Fourteen — and I kind of love it!

As you can see from the screenshot above, Twenty Fourteen allows for a header image that’s flush with the top of the page. I understand the use of open space is a big part of giving websites a free, minimalist, airy feel. But it feels like too much if there’s so much open space above and below the header image that you have to scroll to read the first paragraph or two in the first post. So I dig this!
The title and nav bar then live on the same horizontal line, which again saves vertical space. And excitingly, the items in the navigation bar can be turned into nested, green drop down menus! I’m using those to provide handy links to some of my most current or prominent work. There’s a glitch that doesn’t let you keep scrolling those drop down menus if they’re longer than your screen, so I had to keep the number of items in them down. But that’s more manageable anyway.
The theme also provides columns on the left and the right, which gave me enough room to add a widget on the right with covers and links to some of my new work. And I was able to get my branding in by sticking my Pak Man Productions logo onto the top of the left column, where it feels just right.
Everything shifts dynamically to render nicely on any screen — on handheld devices, the line of menu items under the header image becomes a single button with a dropdown menu and full blog entries shrink into clickable headlines. The left column goes away and its contents get added to the bottom of the page when you narrow your screen past a certain point. And when you go even further, the right column goes away and gets added to the bottom as well. It requires a bit of thinking to make sure all the critical info is in a good place to be seen on all devices with these varying ways of displaying things, but it’s great that I’ve now got a site that people on all devices can enjoy without fuss.
The whole thing also inspired me to finally clean up and add some descriptions to the category pages for my most prominent work. So now when you click on “Wave” in the dropdown menu, for example, you get a little description of the character’s origins and where she appears and where you can buy the books.
Finally, I’m much happier with the way this theme displays the categories and date of each post. It’s just cleaner and better designed to differentiate posts from each other and clearly show when they were written. I think I’d still prefer if the date were at the top and the categories were beneath the headline, and I’m not sure I love that the headlines render in all-caps. But those are quibbles. It’s a big improvement over where we were just 24 hours ago.
I’m staying off Twitter as much as possible these days, but if you read this and have thoughts or notice any bugs or glitches, please do feel free to tell me on Twitter!
Well, it’s been a while since I’ve been up ’til 3 am goofing around with web design, so I guess I was due for it. Going to bed now, but wanted to keep track of what I did tonight.
So I think I like the results. It’s cleaner and works better on multiple devices. But is it… blander? Less organic? I dunno! Maybe! I think overall it’s a bit better than the last version. But here are a few things I’d like to work on more:
All right. It’s way too late. Off to bed, more later!
Just a heads up that I’m fiddling with the website tonight – trying out some different headers. Everything should remain functional. But the top of the site will periodically look funky. No need to worry; please carry on!

I was horrified to confirm yesterday that due to a website configuration error, a huge percentage of the people who subscribed to my newsletter haven’t been getting my emails for over a year. My best guess is that at least two thirds of the emailed newsletters were ending up in spam folders!
But I’m thrilled to report that after a couple of hours of googling things like DNS, DMARC, DKIM, and CNAME, I identified the problem and found the right places to make the right tweaks — and things are working again! My latest newsletter currently has a 30.8 percent open rate, which is about triple the average open rate of all of my newsletters since May 2020, when the configuration error apparently first manifested.
I can’t help but grieve a bit over the hundreds of unopened emails that I sent during the pandemic. But I’m comforted that moving forward, I’ll be able to reach so many more folks through a mailing list that’s completely separate from social media companies. And that’s feeling more and more necessary every day, since I’m making an effort to stay away from Twitter as much as possible.
Twitter is where I’ve built most of my internet presence over the years. I’ve laughed like hell, learned a lot, made dozens of real friends, reached readers, sold books, raised many dollars for great causes, and helped pull thousands of people into various events and volunteer activities for nonprofits and political groups. All that’s tremendous! And yes, I’ll still pop in there to cheer on colleagues and causes and spread the word about my own stuff – heck, a link to this very post will be automatically cross-posted on Twitter when I hit “Publish.”
But Twitter is also a magnifier of the very worst tendencies of our culture. Its business model depends on interaction, good or bad, and like Facebook, it’s been inexcusably slow to enforce its own policies against harassment and bigotry. And even beyond the most obvious negatives, Twitter creates an expectation of unending access and observation that can be exhausting. Yes, I want to be informed and responsible and active in the world. But Twitter’s not the only place for that. Everyone’s got a different, valid position on all of this, and no doubt some day when I’m goofing around on social media, a good friend will point at this post and give me a sardonic look. But at this moment, on a personal level, I’m realizing that I’m healthier when I’m off Twitter, so off Twitter is where I’m trying to spend most of my time.
So I’m thinking about other ways to both take in information and reach out, which explains why I’m so ridiculously excited to have solved this goofy technical issue with my newsletter. And I’m deeply pleased with myself for figuring out how to edit the CSS to tweak the paragraph spacing of posts on my website to make them more readable, because here I am blogging again like it’s 1999.
If you’re reading this, you’re joining me on this retro journey, and I appreciate you so much. Thank you.
(And if you haven’t already, please do feel free to sign up for the newsletter here!)

The International Association of Media Tie-In Writers just announced the nominees for the 2021 Scribe Awards, and I was thrilled to see that the first volume of my STAR WARS: DARTH VADER comic book series made the cut in the graphic novel category! You can see the list of all the nominees here. Winners will be announced on July 2.
STAR WARS: DARTH VADER Vol. 1, DARK HEART OF THE SITH was written by yours truly with line art by Raffaele Ienco, colors by Neeraj Menon, letters by Joe Caramagna, editing by Mark Paniccia and Tom Groneman, and covers by InHyuk Lee. You can buy signed, rare copies of the first issue at the Greg Pak Shop.

This November, Dark Horse will publish STRANGER THINGS: ERICA THE GREAT, a middle grade graphic novel written by Danny Lore and yours truly with line art by Valeria Favoccia, colors by Dan Jackson, letters by Nate Piekos, and cover by Ron Chan.
Super excited by this one — we’re following Erica Sinclair as she grapples with conflicts with friends and family while leading her own Dungeons and Dragons campaign. As the official solicit says, it’s the story of “an ambitious, bossy, brilliant ten-year-old dealing with boredom and the complexities of maintaining friendships through tough times.”
For more details, visit the Dark Horse site.
Posted a new article on my Patreon about the specific joy in making the time to write something just for myself and only myself. An excerpt:
…during the pandemic, I’ve found myself spinning into introspection and nostalgia. I got obsessed with finding some of the cheap Sheaffer fountain pens I loved and used every day as a kid. There wasn’t conscious intention to all this, and maybe the two things are totally separate, but I was blown away by how great it felt to hold those old pens again, to feel the specific, just-right bite of those nibs on paper, to see that ink flow and fill on the page. And at the same time, I’ve found myself writing just for myself again.
It costs just $1 a month to sign up for my Patreon, which will let you read all the posts as soon as they’re posted instead of waiting a week or two. There’s tons of practical writing advice up there. Please do feel free to check it out!
I’ve got three books in comic book shops today! Two written by yours truly, one with a teaser of a story I’ve written. Read on for the details!

DARTH VADER #12 serves as prelude to the War of the Bounty Hunters storyline and tells the untold story of when Vader first learned Han Solo’s name! The book’s drawn by Guiu Vilanova with colors by Dean White, letters by Joe Caramagna, and a cover by Aaron Kuder and Richard Isanove.

FIREFLY #29 begins a whole new era for the crew as they find themselves on Earth That Was! Line art by Simona Di Gianfelice, colors by Francesco Segala, letters by Jim Campbell, and cover by Bengal.

A huge teaser of the return of Milestone Comics! The book includes a two page preview of the DUO series written by yours truly with line art by Khoi Pham and colors by Chris Sotomayor.
All of these books are in comic book stores today. Ask your local retailer to hold copies for you!