The Vilcek Foundation has interviewed Greg Pak and Amadeus Cho about comics and fighting alongside Greek gods to save the universe.
Check it out!

An excerpt:

Matt Adler: Amadeus Cho seems to be a rare character, in that very few new characters have caught on and taken hold in readers’ minds the way he has. Why do you think that is?
Fred Van Lente: I think partly it’s because his creator, Greg Pak, never gave up on him, and found opportunities use him in big events like World War Hulk, where he could get maximum exposure — and WWH led directly to Incredible Hercules, of course.
Greg Pak: Editors Mark Paniccia and Nate Cosby deserve huge credit here. They loved the character from the start and were as eager as I was to engineer his next appearance. And Marvel’s David Gabriel gets a gold star for suggesting the Hercules/Amadeus team up book in the first place.
In terms of the character himself, you can never predict just what readers will pick up on. But Amadeus seemed to fill a certain niche in the Marvel Universe at the time, and by providing such a contrast, he made a great foil for established Marvel characters like Hulk and Herc. We were also incredibly lucky to have the amazing Takeshi Miyazawa do the original character design and have fantastic artists like Gary Frank, Carlo Pagulayan, Leonard Kirk, and all of the Incredible Hercules artists put their spin on him. Reilly’s new design for Amadeus in Prince Of Power is the icing on the cake, growing the kid up a bit while maintaining that irreverence that makes him so fun.

Click here to read the whole thing.

Last week, Marvel celebrated Asian Pacific American Heritage Month with a few articles featuring writer Greg Pak and comic book character Amadeus Cho, among others. Here are some links:
Asian-Pacific American Heritage Week on Marvel.com
First Look: Heroic Age: Prince of Power #2
Greg Pak on APA Heritage Month
Interview with Pak, Van Lente, and Parker about Amadeus Cho and Jimmy Woo
Unlimited Highlights: APA Heritage Month picks from Marvel Digital Comics

Greg Pak gives the lowdown on everything you need to know to enjoy “Heroic Age: Prince of Power” #1, which hit comic book stores on May 12.

“Heroic Age: Prince of Power” #1, starring Amadeus Cho, written by Greg Pak and Fred Van Lente, and pencilled by Reilly Brown, hit comic book stores last Wednesday and immediately garnered rave reviews. Here are some excerpts:
Comics Alliance:

It’s a great issue, and it’s striking to see how much Cho has grown into a full-fledged hero in his short time as part of the Marvel Universe. In an industry often criticized for only reusing the same characters over and over again, Amadeus Cho is the prime example of how to introduce and develop a brand new character in the right way, and how exciting that can be when it’s done so well.

Newsarama:

For fans and new readers alike, this is a fantastic first issue that hits the ground running and never stops. It’s funny, flippant, and runs circles around 95% of the books this week just on sheer character alone.
Seriously. Go get it. It’s far and away my pick of the week.

Collier Comics:

… it’s a fast, breezy read with enough backplot to hook new readers without boring the old hands. It doesn’t require encyclopedic knowledge of the Marvel Universe’s current status quo. The writing is fresh and funny, and the art’s appealing. I’ll be pretty happy if other creators take Pak and van Lente’s cue and make their Heroic Age titles as accessible to those of us who aren’t omniscient.

Hero Sandwich:

All the usual brilliant characterization, dialogue, humor, and action we’ve come to expect from Greg Pak and Fren van Lente. The battle against the Griffin is entirely excellent, but there are also some wonderful scenes that are very low-key and quiet — Amadeus’ monologue with the incarcerated and generally displeased Delphyne Gorgon, his snake-haired ex-girlfriend, is nice, and the scene with townspeople from Broxton, Oklahoma running a food drive for the recently wrecked Asgard (the entire realm had taken up residence over Oklahoma until the end of the “Siege” crossover) is both awesome and funny.