![]() “The Motel” poster |
Karin Chien produced Greg Pak’s films “Robot Stories” (with Kim Ima) and “Super Power Blues.” Her latest two films, Michael Kang’s “The Motel” and Chris Chan Lee’s “Undoing,” hit theaters this week. Read on for Pak’s interview with Chien about “The Motel” theatrical release, what a producer does, and just why the heck she’s worked with so many Korean American directors.
Greg Pak: Congrats on all the recent success! Tell us a little about what you’re doing to prepare for “The Motel” opening this coming Wednesday in New York. What can people do to help?
Karin Chien: Bring as many people as possible to see the film when it opens on June 28 at the Film Forum, and then tell everyone you know how much you love THE MOTEL!!
But, seriously, we are working with Palm Pictures on the marketing campaign, and are also doing a grassroots campaign, which involves spreading the word, via events, posters, parties, merchandise and the internet, throughout the indie film and Asian American communities. If you’re part of an organization or school or a very large family, you can invite us to speak to your group, or screen a trailer, or put up posters, or write us up in your blog. Every little bit of extra exposure helps.




Greg Pak: We’ve worked together on three different short film projects now, but I’m realizing I have no idea how you work your magic — I email you video and tell you some of my ideas for the score and you email me back links to gorgeous music. Walk us through the process a bit. First, the technicalities — what kind of equipment and computer system do you use? Is all the music generated through synthesizers and computers or do you do any live performances? And how do you keep the neighbors from calling the cops with noise complaints?
In honor of Asian Pacific American Heritage Month, Keith Chow recently interviewed Greg Pak and several other Asian American comic book creators for the Diamond Bookmark Newsletter. Parts of Chow’s interview with Pak can be seen at the