In FCP, “Color Corrector” better than “Brightness and Contrast” for adjusting brightness and contrast

By Greg Pak
While working in Final Cut Pro on a new short film, I discovered that, strangely enough, the “Color Corrector” tool works far better than the “Brightness and Contrast” filter for adjusting the brightness and contrast of an image.
The Brightness and Contrast filter can be found at Effects > Video Filters > Image Control > Brightness and Contrast (Bezier). I could use the Brightness setting to lighten an image, but the image would appear washed out. And when I used the Contrast setting to fill in the blacks, the colors would begin to blow and the image would begin to look almost solarized.
The Color Corrector tool can be found at Effects > Video Filters > Color Correction > Color Corrector. Tweaking with the “Whites,” “Mids” and “Blacks” settings gave me the kind of control I needed to brighten the image and adjust the contrast without degrading the image.
System: Macintosh G4 533 MHz Dual Processor running FCP HD 4.5

Video darkens when converting to MPEG-2 for DVD production — problem and solution

By Greg Pak
I recently noticed that my new short film looked considerably darker on DVD than in Final Cut Pro. I hadn’t seen this problem with DVDs I’d made of other projects I’d cut in Final Cut Pro.
The problem: The project was shot with the Panasonic DVX100 in 24P. The sequence in Final Cut Pro was set at 23.98 frames per second. I had been exporting this sequence directly to NTSC MPEG-2 for the DVDs. Apparently, FCP makes images darker and more contrasty when exporting from a 23.98 fps sequence to an NTSC MPEG-2.
The solution: I exported the 23.98 fps sequence to a 29.97 fps DV/DVCPRO – NTSC Best Quality QuickTime file. I then cut that QuickTime file back into a 29.97 fps FCP sequence and exported to MPEG-2. And now there’s no noticable darkening of the image.
I did notice that the process of exporting the 23.98 fps sequence to the 29.97 fps DV/DVCPRO file seems to have affected the colors very slightly, making them a touch warmer. It’s a faint enough adjustment that it doesn’t bother me — and it’s vastly preferable to the darkening which had been happening before.
System: Macintosh G4 533 MHz Dual Processor running FCP HD 4.5

“Robot Stories and More Screenplays” book shipping soon from Amazon.com

The screenplay for Greg Pak’s feature film “Robot Stories” has been published by Immedium as a 222 page paperback which includes an introduction by David Henry Hwang and the scripts for several of Pak’s award winning shorts, including “Asian Pride Porn,” “All Amateur Ecstasy,” and “Mouse.” Each script is preceded by an introduction by Pak.
The book should be shipping soon and can be pre-bought now at Amazon.com for a special discount price.