Where to find me (and not find me) on social media

I’ve been enormously grateful to the folks who have followed me on social media throughout my career. You’ve helped spread the word about my comics to thousands of other readers, backed my crowdfunded books, spread the word about friends’ projects, and and helped me raise money and awareness for causes I care about. Thank you all so much!

But social media has always had its negative points and they’ve all been amplified in recent years. I won’t belabor you with the details, but I’m sick of everything Twitter has become and I’m pretty much done with it. I’ve deleted almost all of my posts and am mainly holding onto the account (@gregpak) to prevent an imposter or scammer from taking over the username.

So for now, here are the best places to find me online:

My email newsletter – long term, the best way to keep track of my work. It’s linked to my website, not to any social media site, so it should keep coming as long as I’m working.

Mastodon – my preferred social media home these days. It has its quirks, but it’s not owned by a billionaire and seems less subject to overnight destruction on a whim. For what it’s worth, I use third party apps like Ivory for iOS and Elk for the browser – they make the Mastodon experience much more intuitive and smooth, in my opinion.

Bluesky – probably the most fun social network I use now, mainly because of the presence of hundreds of my fellow comics creators. The big caveats are that it’s still invite-only and it remains to be seen how well its privacy/moderation will scale when it opens up.

Instagram – not my favorite because I don’t like many of the policies and practices of its parent company, Meta, and it’s a walled garden that doesn’t allow externally-pointing links in posts. But I’m still there for now.

I also still have a Tumblr account, but I’ve never really cracked the code there. Still, feel free to follow me there — maybe someday I’ll figure it out!

Donate to the Maui Food Bank and get a signed copy of the second printing of MECH CADETS #1

I posted this on social media a while back but realized I hadn’t put it up here, so here you go!

If you donate at least $30 to the Maui Food Bank, I’ll send you a signed copy of the second printing of MECH CADETS #1. I can ship to US addresses only, thanks. Send proof of your donation and your mailing address to helpinghands at gregpak dot com and we’ll hook you up! Offer good while supplies last. Thank you!

Social Media Showdown 2022 – a Personal Overview of Twitter Alternatives

Twitter has always driven more clicks to my crowdfunded projects than any other social media site. So launching a Crowdfundr campaign for my 35mm Love Letter book this month as Twitter ran through several stages of its slow-motion collapse was a bit harrowing, to say the least. But my pain may be your gain, because I’ve spent a ridiculous amount of time on nearly every viable Twitter alternative, and I have some opinions to share!

Before we plunge in, here are a few personal pointers for social media usage that seem particularly relevant right now, since Twitter’s grip on privacy and safety may be slipping and the reliability of new services remains untested.

  • Don’t give any social media site your credit card info.
  • Don’t use direct messages for anything sensitive and assume that any DM might get revealed to the general public. (I’m not using them at all on most of these new sites.)
  • Assume that anything you post may be preserved forever by someone. Also assume that anything you post may be lost forever if the service goes under.
  • Be aware that many newer social media services have tiny or non-existent safety and moderation teams and proceed or not according to your personal comfort levels.

I should also note that since Twitter began its decline, I’ve spent a lot less time there, and my mental health is the better for it. Many of these social media sites are designed to maximize clicks, but have traditionally done a bad job of distinguishing between positive and negative engagement. So they’ve frequently amplified our worst tendencies, which creates a stream of bad vibes that isn’t good for my heart and brain to marinate in all day. A significant part of my business relies on social media, and I treasure the positive experiences I’ve had and friendships I’ve made there. But less social media in general seems like a good idea. For those of us who can’t log off entirely for personal or business reasons, Twitter seems likely to get even worse as disseminator of bad vibes, so finding alternatives feels especially urgent.

The Essential Functions I’m Looking For

I’ve used Twitter for the last 12 years for hobnobbing with comics industry colleagues, learning new things from folks from many different backgrounds, spreading the word about and raising money for causes and organizations important to me, plugging my books, and encouraging folks to back my crowdfunded independent publishing projects. I think Twitter has been uniquely effective in all of those things for several key reasons:

  • Critical mass of users. Twitter has been the primary place where my colleagues and readers congregate online, which means I’ve always gotten more shares and clicks from Twitter than from any other social media site.
  • Text-based social media. Yes, I make comics. Yes, I’m a filmmaker and photographer. But I’m primarily a writer, and a primarily text-based social network like Twitter just makes sense to me and lets me shine.
  • Live links in posts. If I’m plugging something on Twitter, I can post a link and people can click to it instantly. Instagram doesn’t have live links, so you have to nudge people to check out the link in your bio, which means there’s an extra step involved and clicks drop off drastically.
  • Quote-tweeting. Twitter’s quote tweet function means that friends and supporters can add a little personal note to their retweet of your links, which can be critical in getting their supporters to actually click.
  • Threading of posts. Creating a sense of drama and timeliness is key to plugging a crowdfunding campaign. When building up to a key goal or deadline, Twitter threads create a linked timeline that’s much more effective in creating real-time excitement than separate, unlinked posts.
  • Desktop functionality. I’m a myopic Gen-Xer, so I hate typing on my phone. And when plugging my projects, I need to manipulate photos and links and chunks of text quickly, which I can do more easily on a laptop than a phone. So a service that’s designed primarily for mobile is less useful to me than a service that works on my computers as well.
  • Chronological timeline. If you toggle Twitter to “Latest Tweets,” you get a reverse chronological timeline, with the latest posts first. That’s critical for anyone trying to reach people about time-sensitive events or projects or for anyone trying to find out about breaking news.

An ideal Twitter alternative would incorporate all of the above features. Do any come close? Let’s see!

INSTAGRAM

instagram.com/gregpakpix

You’d think that an image-sharing site like Instagram would feel like second nature for a comics creator and photographer. But the site’s never felt comfortable to me. I’ll keep plugging away there since so many folks use it and I’ve got more followers there than anywhere but Twitter, but by intentional design, Instagram doesn’t provide direct links in posts to external sites, which makes it far less useful for my purposes.

Advantages

  • It’s established and popular and is a relatively known quantity when it comes to privacy, moderation, and safety.
  • The site is mainstream and easy enough to use that you don’t have to be a tech expert to manage it, so it’s got the biggest user base of any of these non-Twitter sites.

Disadvantages

  • Instagram doesn’t display comics pages or vertical 35mm film images in their native ratios. So you have to dump vertical images into a template and add bars on either side to show them in their entirety on Instagram, and that’s very often a step too much for someone (me) who’s not getting paid to post.
  • Instagram deactivates links in posts, so to plug a project you’re working on, you have to point people to the link in your bio. But on the internet, the vast majority of people don’t click through. So having to click through twice means only a tiny fraction of a fraction of Instagram users will actually reach whatever page you’re plugging.
  • Instagram subjects your feed to aggressive algorithms, showing you what it wants you to see instead of just displaying posts from the people you follow in chronological order. So I’ll often see a friend’s post plugging an event the day after the event happened. At first that just struck me as goofy; now I’m actually offended by it. It feels like an insult to prevent grown adults from reaching each other in a rational, efficient, timely way.

TUMBLR

tumblr.com/gregpak

Once upon a time, Tumblr was huge for the mainstream comics community. Major Marvel and DC creators pointed their personal URLs to their Tumblr pages, using the service to power their main websites. I didn’t make that much use of the site and deleted my own Tumblr page back in the day because I couldn’t turn off direct messaging from the general public, which felt like a privacy and security hole. But when Tumblr introduced a setting to enable messages only from blogs I followed, I created a new account and now have about 1,500 followers there. But I still don’t use it that much!

Advantages

  • The timeline seems chronological.
  • The links in posts are live.
  • There’s been an uptick in users and interactions on the site since Twitter began to crater.
  • The folks who run Tumblr seem like a lot of fun and have run some delightfully trolly campaigns to lure folks back to the service during Twitter’s decline.

Disadvantages

  • I’ve always been confused by the way comments and shares and likes are all jumbled together at the bottom of Tumblr posts. Maybe it’s just me, but I find it very hard to follow a conversation there.
  • I’ve never really gotten much traction on Tumblr. My Kickstarters barely showed any click-through from my Tumblr posts. Maybe it’s just because I’ve never posted there that often. Maybe I should just post more? But it may also be a Tumblr culture thing — my particular kinds of projects may not be best suited for the site and its users.
  • I’ve seen a number of comics folks starting or reactivating their Tumblr accounts in the last few weeks, but the site doesn’t feel like an active hub at the moment for the comics creators and readers I’m trying to reach.

MASTODON

mastodon.social/@gregpak

I joined Mastodon back in 2017 when Twitter’s failure to handle multiple big cases of harassment inspired a bunch of folks to look for alternatives. Mastodon made a lot of sense to me as a primarily text-based social network that looked a lot like TweetDeck, a Twitter client I’d occasionally used. And right now, I’m having more actual fun and seeing more engagement on Mastodon than any of the other Twitter alternatives. But then and now, Mastodon’s biggest virtue is also its biggest drawback.

Mastodon is part of what’s called a federated system, meaning there’s no central Mastodon social network. Instead, when you join Mastodon, you’re actually joining a single incidence of Mastodon run by someone on their private server. You can generally follow and be followed by folks on other servers, so it’s possible to kind of ignore the separate server situation and use Mastodon like Twitter to follow your individual friends, wherever they may be. But the choice of a server matters, because there are no universal moderation and privacy policies or safety teams. Each server handles those things itself.

Some folks see that as a huge advantage — a billionaire can’t buy out the entire service and arbitrarily change all the rules, for example. But the disadvantage is that the quality of the moderation, privacy, and safety enforcement on any server depends on the private individuals running that server. In fact, those individuals could choose to shut their server down completely overnight, causing all your posts and connections to vanish. So there’s a bit of impermanence to the system that’s troubling. I semi-solved that by joining the server that’s run by the main developer of the Mastodon software; I figure that server will be around as long as the software exists. But I’ve seen some folks talking about having issues with moderation on that server. One good thing is that you can switch your server and take your following and followers lists with you (but not your past posts, apparently). So in the long run I have the option of switching servers if I need to. It’s all a lot to wrap your head around! But Mastodon has some pretty key advantages at the moment.

Advantages

  • Primarily text-based, which is nice for someone who was comfortable on Twitter.
  • Chronological feed, no algorithm, threading enabled. It functions more like Twitter than Instagram or any of the other current alternatives, which is a good thing in my book.
  • Default web presentation is familiar for anyone who liked Tweetdeck. There are also decent iOS apps that make the interface more Twitter-like.
  • Since Twitter began its slow decline, user interaction on Mastodon has gone way up for me. I have just 3,700 followers on Mastodon versus 51,000 followers on Twitter. But a post on Mastodon will often get roughly the same or even more likes or comments as the same post on Twitter. The place feels pretty populated, with something new and interesting on my feed every time I log in.
  • Great for analog film nerds like me. There’s been a big influx of film photographers on Mastodon who post under the #BelieveInFilm hashtag, and that’s been a huge pleasure. There’s also a comics community slowly forming. The great Steve Lieber is a fantastic follow on Mastodon if you’re interested in comics.

Disadvantages

  • The effort to wrap your head around the federated system and pick a server is a big disincentive for mass adoption. Thousands of new users are nonetheless signing up for the service every week. But unless/until it becomes a bit simpler, it seems unlikely to achieve the same mass reach as Twitter.
  • The federated system means that folks are joining individual servers that may not have the capacity or interest in providing the moderation, privacy, and safety support that users expect.
  • There’s no quote tweeting on Mastodon, which may or may not be a disadvantage depending on your perspective. No quote tweeting limits others from personalizing their boosts of my crowdfunding projects, for example, but it also limits quote tweet dunking that can lead to context collapse and harassment. Then again, that might seem to be a disadvantage because it also limits accountability for big accounts that say ridiculous things. I’m not a big quote tweet dunker, so it’s not a big issue for me personally, but I understand the critique.

HIVE SOCIAL

Username “gregpak” on the Hive Social app

Over a three day period a couple of weeks ago, it seemed that the entire Star Wars creator and fan community decided to open accounts on the Hive Social mobile app, which opened the floodgates for the comics community to move in. And for a glorious week or so, Hive really became a hive for pretty delightful nerdy hijinks. But then folks discovered major security issues and the whole service shut down for a few weeks — which felt like a decade in The-Last-Days-of-Twitter era — and since the service has returned, engagement seems much lower. Given how many comics creators signed up for Hive, I’m really rooting for its success. But it’s absolutely a work-in-progress and it’s important to be aware of its issues.

Advantages

  • A fresh, friendly, familiar interface that feels like a more text-and-link-friendly version of Instagram. (Yes, links are live.)
  • A massive influx of comics people made the place feel active and fun for a while — and that vibe could return if users felt the incentive to post more.
  • Unlike Instagram, Hive displays vertical images in their native ratios and thus doesn’t require an extra step of optimizing with clunky templates.

Disadvantages

  • According to a November interview, Hive is run by literally three people and does not appear to have dedicated moderation or privacy teams. The app has “Block” and “Report” buttons. But I’d love to hear more from the developers about what they’re doing to ensure user safety.
  • Hive only runs natively on mobile. That’s a huge disadvantage to users like me who prefer to work on laptops or desktops. You can actually download and open the iOS version of Hive on the more modern Macs. But it pops up as a small iPhone-shaped-and-sized screen and it’s not much fun to operate. It also no longer works for me on the Mac after the most recent Hive updates.
  • You can’t thread posts on Hive. Instead, each post is like a blog post with its own little comment section. That limits real-time live-posting, sharing, and conversation.
  • With no web presence, Hive provides no direct links to Hive posts, which makes the service more insular than it could be and complicates archiving. Jamie Zawinski regards this lack of interoperability as a fatal flaw and his post is worth reading.
  • To post images on Hive via an iPhone, you have to import your media into the Photos app — you can’t post from Dropbox, for example. That’s added friction that makes posting more time-consuming, which is annoying for a non-paid poster like me.
  • Hive hasn’t yet added alt-text for images, which is a minus for accessibility.
  • The Hive app is being updated and improved every week and many of the disadvantages listed above should be addressed in time, but it remains a bit buggy at the moment.

POST

post.news/gregpak

Like Instagram and Hive, Post works like a stripped-down blog, with each entry having its own little comment section. So there’s no threading and less open conversation. But the real drag on the service for me is that its biggest users right now seem to be journalists, news organizations, and semi-famous-to-famous celebrity activists. This is no knock on those folks personally! But the vibe of the site feels more formal than fun for me right now, as if everyone’s account is a semi-respectable blog with crafted mini-essays instead of off-the-cuff tweets. That’s not necessarily a bad thing — I like well-written blogs! The bigger issue is that I haven’t found much of a comics or camera community on Post, so the experience feels thin to me.

COHOST

cohost.org/gregpak

I registered for Cohost back in early November but just got approved to actually post this last week. I can’t say that much about the site because I’m not following enough people — but I’m not following enough people because of what feels like a major flaw in the system for me. Cohost doesn’t publicly display users’ followers or following lists, which means I can’t browse my friends’ following lists to find familiar names to follow, which is usually the first thing I do when I sign up for any social media service. I understand that could be a big bonus for some folks for privacy reasons, but it makes the site largely unusable for me at the moment. I can tell that that Cohost is built like Instagram, Post, and Hive as a microblogging site with individual posts with their own comment sections. I can’t yet say anything about how well it works because there’s very little for me to see or interact with right now.

PROJECT MUSHROOM AND SPORE

projectmushroom.social/@gregpak

spore.social/@gregpak

I was excited to see Eric Holthaus’s announcement of Project Mushroom as a new social media site for climate activists and other progressively inclined folks. I was a touch less excited when I learned it would basically be a new Mastodon server. But I still backed the Kickstarter and joined because I loved the promise of an active, paid moderation team, which feels absolutely essential for the long term success of any Twitter alternative.

Then I heard that there would be a second Project-Mushroom-related Mastodon server called Spore, which confused me. Ultimately, I’ve learned that the Project Mushroom server will be a walled garden wherein only folks who are signed up for Project Mushroom can see and follow you. Spore, on the other hand, is a public server, meaning folks outside of the server can see your posts and you can follow and be followed by folks on non-Spore and non-Project Mushroom servers.

Yes, this is all a bit much to take in! No, I don’t really want two Mastodon accounts from one organization! And yet I remain intrigued by and am rooting for Project Mastodon/Spore because of the promise of paid moderation.

Have I used Project Mastodon and Spore? Barely! Functionally, they’re pretty much just like my main Mastodon account, so that’s comfortable enough. But as with Cohost, I don’t have a big enough follow list on the sites for the experience to feel substantial to me yet. But I’m keeping a very interested eye on them. Ultimately, if I’m uncomfortable with moderation on my current Mastodon host, I could imagine up moving my main Mastodon account over to Spore to take advantage of the paid moderation.

SPOUTIBLE

I can’t actually review Spoutible because it hasn’t launched yet. But I’m awaiting Christopher Bouzy’s new social media site with great anticipation. Bouzy runs Bot Sentinel, so he’s well acquainted with questions of moderation, safety, and harassment on social media and is presumably building Spoutible accordingly. I’ve preregistered for the service and look forward to testing it when it launches next month.

CONCLUSIONS

During the course of the 35mm Love Letter campaign, Twitter still brought in the most clicks for me — huge thanks to everyone who shared and backed! But engagement on Twitter felt several ticks lower in comparison to my previous crowdfunding campaigns. That’s partly because I was running the campaign between Thanksgiving and Christmas, which is a ridiculous time to try to get folks’ attention. But I think it’s also because a decent number of my comics and book friends have deleted their Twitter accounts or simply backed away from the site, which meant fewer eyeballs on my posts and fewer shares.

So I was very happy to have a presence on other sites that could give me additional places to plug the project. Both Mastodon and Hive moved the needle in terms of reaching people and getting folks to actually back. I had about 3,600 followers on Mastodon at the time and had made some friends in the #BelieveInFilm community there, which helped a lot. Hive went down a couple of days before I launched and only came back on the second to last day of the campaign, but friends in the comics community shared my posts and I got some clicks and backers as a result.

I can’t quite tell how much of an impact Instagram had on the campaign, but I know a number of friends shared my posts in their stories. I may have more “civilian” friends from outside the comics community on Instagram than anywhere else, and I suspect that many of them found out about the project there. I have no idea what Tumblr or Post or Project Mushroom did for the campaign. But I was happy to post there, because you never know when or where someone will take notice and finally make the critical clicks.

But to answer my question at the outset, none of the Twitter alternatives I’m trying out feels like a true Twitter replacement. Overall, Mastodon is the most fun place for me to hang out and post — there just seems to be more interaction there than on other sites and the interface has the most Twitter-like features. But each of these alternatives is missing certain features or qualities that prevent it from becoming a new mass public square.

Still, I could see a number of these services becoming great places to reach certain communities. Mastodon felt like a great place to reach analog film photographers; Hive felt like a decent place for comics creators and readers. That’s encouraging — niche marketing is fantastic for indie crowdfunding projects, and I’d be thrilled to have reliable places to reach different communities.

Sadly, that’s also an exhausting future to imagine for indie creators. We’re already overwhelmed by the responsibility to be our own publicists and marketers. Having to cobble together followings on a bunch of Twitter alternatives to keep reaching different segments of our audiences sounds really tiring, particularly since it’s unclear which of the current sites will survive more than a year or two.

I’ve always been a HUGE believer in email newsletters and blogs and personal websites. Again, it’s a lot of work, but it feels essential to me as an independent creator to maintain a website and newsletter that don’t depend on other people’s platforms, websites, or services. And my newsletter and the mailing lists I’ve built through my various Kickstarter projects over the years were critical in getting word out about 35mm Love Letter. But a newsletter by itself doesn’t generate the kind of ongoing excitement in real time that a crowdfunding project really needs. Social media, for better or for worse, remains essential for getting the word out and building participatory urgency and drama.

So as Twitter continues to fragment, I’ll keep trying out these social media alternatives and see what’s what. And if no new overall town square arises, I’ll have to figure out what little separate neighborhoods I need to connect with and build up separate little home bases in those distinct places.

Best wishes to every other creator or organizer or activist struggling with the same problems. Here’s hoping this article has been helpful, and if you have any insights to share, please feel free to let me know on Mastodon!

When archiving the data from an iPhone takes four days: A painfully exhaustive how-to guide

I spent a good chunk of the last four days figuring out how to back up and transfer the data from an overloaded iPhone 8 to a new iPhone 13 for a loved one. Every step in the process took about ten times more pondering and about three hours more time than I anticipated. So while it’s fresh on my mind, here’s an exhaustingly specific account of the steps I took in hopes that it may help someone stuck in a similar situation some day.

NOTE: How-to articles on this site are provided for educational purposes only. I’m doing my best to describe my experiences, but I do not guarantee or warrant the accuracy, appropriateness, completeness, safety or usefulness of any article. If you attempt any of these procedures, you do so at your own risk. And please, always back up everything before trying any repair, update, or transfer.

The Scope of the Job

The phone I needed to back up contained a huge number of photos and voice memos that had to be archived in a useable, searchable way. I knew that creating a backup of the iPhone via iTunes (as it works in Mac OS High Sierra or Mojave) or via the Finder (as it works with later Mac operating systems) wouldn’t create a searchable folder that you could pull individual files from. So I needed to figure out different ways of archiving that would give access to photos and voice memos as useable files. Then I needed to back up the entire phone via iTunes in order to safeguard everything on it and enable an easy transfer of its data and settings to the new phone.

Step One: Setting Up a Backup Computer

The original phone had a 256 GB hard drive and was almost completely full, which meant it was too big to be backed up onto its owner’s computer any longer. Annoyingly, Apple does not make it easy to save iTunes backups of iPhones onto external hard drives. So I had to clear a massive amount of room on the internal drive of a different computer that could become a dedicated backup and archive machine.

Fortunately, after upgrading to a new computer last year, I’d hung onto my old 2013 Macbook Air. I set up a new user (creatively named Backup) on that Macbook Air to establish a clean space free of my old data and dedicated to archiving. Then I logged back in under my original user name so I could see all my old documents and data. I’d backed up and ported this computer’s data to my new laptop last year. But on the off chance that I’d missed anything back then, I obsessively backed up the computer’s files once again to an external hard drive. And then I began deleting.

Step Two: Clearing Enough Space

If you’re like me, you’ve got documents scattered all over your computer. Some prime areas to look for them include the Downloads folder (often full of giant installer files and other big downloads), the Documents folder (which I seldom use intentionally, but programs sometimes save files here unbeknownst to me), and the Desktop (because yes, I’m Gen X, so I have loads of files and folders strewn all over my virtual and physical desktops).

But many of the biggest files on our computers are stashed away in folders most of us never open. To ruthlessly make space, I needed to root around a little more deeply.

The Photos Library linked to the Apple Photos app can be found in Users > My User Name > Pictures. As it turns out, you can move that Photos Library file to anywhere else on your computer or to an external drive, click on it to open Photos, and Photos will recognize that as your new library. So I copied the library to an external drive, tested it by opening Photos by clicking on it, then deleted the original file from the laptop’s hard drive. (Of course I’d already transferred these photos to my new laptop last year, so I didn’t technically need to save another copy of that photo library, but when it comes to historically and personally vital documents like photographs, I never take any chances.)

iTunes media can be found in Users > UserName > Music > iTunes > iTunes Media. The big categories here are Movies, Music, Podcasts, and TV Shows. I backed up all the media files inside those folders onto an external hard drive, then deleted them from the laptop. When I open iTunes again, I can see the icons of those files and could download them again from Apple if I’d originally bought them through the iTunes store. But this computer will be a dedicated backup machine, so I won’t be downloading my own music here again.

Email was a tricker challenge, and I haven’t really figured it out. I had multiple IMAP email accounts on this computer. I went to Mail > Accounts, and one at a time, highlighted each of those IMAP accounts and clicked the “minus” button to remove them. This, I was assured by helpful folks on Mastodon, would simply stop this computer from connecting to those accounts without removing the emails from the server. Apple’s own instructions say that once an IMAP account is disabled, its associated emails will be removed from the computer. And when I deleted accounts, their associated emails and email boxes disappeared from the listings in Apple Mail. But I did not regain any hard drive space, even after deleting accounts that had 20,000 emails in them. I do have a considerable chunk of archived email stored on this computer that appears in the “On My Mac” section of the Apple Mail window. But the removal of the IMAP accounts should have increased hard drive space. I still haven’t figured out what the problem is. There’s a massive folder labeled V5 in Users > Username > Library > Mail, which presumably contains all the “On My Mac” mail and the undeleted IMAP mail, but the subfolders inside have nonsense names, so I don’t have any confidence that I can determine what to keep and what to delete there.

If I wanted to start from scratch, I could just delete all the email — I transferred it all to my new laptop last year and it’s also presumably duplicated in an old Time Machine back up of this old laptop. But I erred on the side of caution and left it alone for now. Something to figure out on some other day!

Next I tackled my Dropbox folders, which contained huge amounts of data. I had a terrible fear of deleting things from the laptop the wrong way and triggering the deletion all of my Dropbox files from the Dropbox servers. So I followed these instructions to unlink the computer from Dropbox. This meant that Dropbox would no longer connect to its folder on the laptop. I then quit Dropbox entirely JUST TO BE SURE. Then I copied the entire Dropbox folder to an external hard drive so I’d have a backup JUST IN CASE. Then I moved the Dropbox folder on the laptop to the desktop of the laptop, which was probably unnecessary but felt like a good thing to do just in case Dropbox somehow reactivated itself and went looking for the folder in its regular place.

Then I went through a long and laborious process of deleting individual files and folders. Even though all this data was now living in five different places (a Time Machine backup of this laptop, a Time Machine backup of my new laptop, my new laptop itself, the Dropbox servers, and the Dropbox folder backup I’d just put on an external hard drive), I was still nervous about deleting files containing irreplaceable family photos. So I deleted all of the non-heirloom files — and still needed more space. So on Day Three of the process, I finally backed the family data up to yet ANOTHER external hard drive and deleted the Dropbox folder entirely from the old laptop.

Step Three: Backing Up Photos from the iPhone

Given how much space I’d cleared, I figured I could back up the photos from the phone through the Photos app to the computer’s hard drive. But I was wrong — the computer gave me an error message, saying I didn’t have enough room. So I followed Apple’s official instructions and moved the Photo Library to an external hard drive. In a more rational world, you’d be able to go through a menu and select a folder for the Photos app to create a new library. But instead, you have to move (or copy) the existing Photo Library to wherever you want it to live, then click on it to open the Photos app, which will then recognize this new Photo Library in its new location as the one it will use. Long story short, I moved the library to an external hard drive, plugged in the phone, and started backing up the photos.

Unfortunately, with tens of thousands of photos, the process can get a little weird. I went to sleep and woke up in the morning to discover that only half of the photos had been transferred. An error message said that thousands were unreadable or had missing metadata. I contained my panic and started individually selecting files to be transferred. I discovered a handful of photos triggered that error message, but the vast majority were fine and backed up properly. But I couldn’t trust the computer to handle all of them at once, so I transferred them in batches of a few hundred, working on a comic book script in between each download. This took long hours. But it worked, and in the end I had a giant Photo Library on an external hard drive that was linked to the Photos app on the computer.

Step Four: Backing Up the Whole Phone

Now I had to back up the entire phone. The archive computer was running High Sierra, an older Mac OS, and the phone was running iOS 16, the newest iPhone OS. This is apparently not a fantastic combination. When I plugged the phone into the computer, iTunes wouldn’t recognize it. It gave me a vague error message saying “A software update is required to connect to phone.” I didn’t click on the update link because I wasn’t sure if it would upgrade the phone or the computer, and I knew the phone had virtually no space and was too old to risk upgrading. So I ludicrously went through the laborious process of upgrading the computer from High Sierra to Mojave, which I was pretty sure would take care of the problem. An hour or so later, I plugged the phone into the upgraded computer… and got the same error message.

I did some Googling and found a page that assured me that clicking the link in the error message would just upgrade the computer, not the phone. So I unplugged the phone and clicked the link, fully expecting to be taken to the App Store for an update to Big Sur, the latest operating system compatible with this computer. But instead, the computer just worked for a little while, apparently downloading and installing a small patch, and when it was done, iTunes recognized the iPhone!

I rolled my eyes at myself, realizing I probably could have skipped updating to Mojave if I’d had the wherewithal to do some research and click on that software update link earlier. But whatever; I was ready to back up the phone! Which I did, using the iTunes tools! But I didn’t notice until it was too late that the backup was automatically set to “Encrypted.” I didn’t worry too much; I had a record of the last encryption password I’d used on this computer. Of course that came back to bite me — more on this in a bit!

The backup took a little over an hour. Interestingly, the backed up file (which lives at Users > Username > Library > Application Support > MobileSync > Backup) was just 150 GB or so. The phone’s nearly full hard drive was 256 GB, so that tells me about 100 GB on the phone are system files that iTunes doesn’t back up. A bit of valuable information in case you’re trying to judge how much hard drive space you’ll need for the backup.

It’s worth noting that Apple’s backup protocols introduce an annoying redundancy and inefficiency regarding photos. I couldn’t find any way to exclude photos from the iTunes backup process. So if you’ve downloaded your photos to the Photos app and then backed up your phone through iTunes, you’re doubling the space taken up by your photos. That’s fine in terms of safety — I like redundancy in essential data! But it can turn into a big headache when it comes to making enough space on a machine for other things.

Step Five: Setting Up the New Phone and Transferring the Data

Now, finally, the fun part! Which of course turned out to be not so fun. I fired up the new phone, an iPhone 13! The system’s pretty darn advanced now and your new phone can wirelessly nab the information needed to get up and running from your old phone. The new phone flashes a weird, round, swirly image that your old phone reads — this serves as a security key that allows your old phone to transfer its number and some of its essential operating data over to the new phone. You’re also given the option to transfer the entirety of your data — presumably your music and messages and emails and photos, etcetera. But there’s no option to selectively pick and choose what data to transfer, and the owner did not want to transfer all their photos over. So we cancelled this process in hopes that we could get more options by plugging the phone into the computer and completing the transfer via iTunes.

Alas, that wasn’t the case. iTunes doesn’t give you the ability to transfer data to a new phone selectively — your music but not your photos, for example. It’s all or nothing! Since we wanted all the email and messages and whatnot to be ported over seamlessly, we decided to transfer everything and just delete the photos manually from the phone later. So we told iTunes to start the process… and it asked for the password to unlock the encrypted backup. I cheerfully typed in the last password I’d used for this… and it didn’t work!

So now I had another conundrum that took hours to figure out. After trying a bunch of variations of the password, none of which worked, I decided to back up the original phone to a different computer and start over. But when I got to the key moment, I saw that the “encrypted” button for the backup was still checked, and when I tried to uncheck it, I got that pop up asking for the password. In short, once you’ve made an encrypted backup of an iPhone, the phone remembers and tells iTunes to ask you for that password again whenever you goof around with backups, even if you’re on a different computer.

I then spent hours trying to figure out alternate ways of backing up the phone and transferring data to the new phone. I figured I could wipe the new phone and start over, this time using the easy start option to transfer data from one phone to the other wirelessly. But I got nervous — what if something went wrong and the data on the original phone was damaged? I wanted to have a working, accessible backup of the essential data before I tried the transfer.

I considered using PhoneView, a third party backup program, which I’d installed on my new laptop. But after a little experimenting, I realized that the program wouldn’t separate out any data it backed up from the old phone into a clearly marked file that I could then transfer to the archive laptop. Instead, the data would be confusingly co-mingled with the data from previous backups I’d made of my own phone, which wouldn’t be acceptable.

I considered backing up the old phone’s Voice Messages through iTunes. But I wasn’t a thousand percent sure what would happen when I pressed “Sync.” Was there any chance that instead of being transferred to the archive computer’s iTunes program, the messages would be overwritten or erased from the original phone? I’m certain that’s not the way the program should work. But since I didn’t have a working backup of the entire iPhone, I felt nervous pressing that blue button.

So I did more pondering and researching and agonizing, and I strongly considered following these emergency steps to reset the old phone to erase the backup password. But that terrified me, because it goes against my grain to change anything about the original device I’m trying to back up for fear of screwing it up before I’ve backed it up.

In the middle of this, it finally dawned on me that the password I’d been trying to use to unlock the archive was the password associated with MY phone, not the phone of the person I was trying to help! And when I did some searching through my password storage program, I found a note with a password from the last time I helped the owner of the phone. And that password WORKED, unlocking the encrypted iPhone archive!

Back in business, I plugged the iPhone into the archive computer and hit the “Restore Backup” button, as per these instructions. I held my breath a bit, because “Restore Backup” is weirdly vague — it implies the backup on the computer will be restored or affected in some way, when all we’re doing is using data from that backup to populate a new phone. The button really should read “Restore FROM Backup” for clarity.

Despite my anxiety and copy editor’s annoyance, the process worked, and in about an hour, the new phone was functioning properly with all the data of the old phone!

Step Six: Dealing with Voice Memos

Now that I knew I had a working backup and I’d successfully transferred all the data to the new phone, I felt much safer trying to sync the Voice Memos on the old phone to iTunes for archiving. But when I gave it a shot, I got a pop up telling me that the phone could only be synched via iTunes with one computer at a time and that it was already synched with a different computer. It also told me that if I proceeded, any songs that had not been downloaded through the iTunes Music Store would be deleted. I still don’t understand all of this. I’m not sure if non-iTunes songs would be deleted from the computer or the phone or both. And I believe this all has something to do with iTunes in iCloud, but I haven’t done the research to figure it all out. Instead, I immediately backed away because I didn’t want to do anything that might damage, delete, or change files on the original phone.

After half an hour of research, I settled on transferring the Voice Memo files from the iPhone to the laptop via AirDrop. I followed the instructions at idownloadblog.com, which showed a handy way to send multiple files to AirDrop at once. If you click the “Edit” button, you’ll be able to select multiple files, then click the Share button to send. I’m always nervous pressing an “Edit” button on anything I don’t want to actually edit, but it worked without a hitch.

After several rounds of exporting, I successfully transferred all the Voice Memo files to the laptop and breathed a big sigh of relief. But I quickly noticed that the “Creation date” metadata was wrong. That field seemed to have been overwritten with a later “Modified” date, so there was no way to correctly arrange the files on the laptop according to the date they were actually recorded. The files showed up on the iPhone in the Voice Memo app with the correct creation date, so I knew the data must be in there somewhere.

After another search, I discovered Fireebok’s Meta Media app, which claimed to have the ability to replace the “Creation date” with the actual “Recording date.” That seemed to be exactly what I needed, so I ponied up $19.99 for the app through Apple’s App Store and… it worked exactly as described!

After I imported the files into Meta Media and selected the command to replace the Creation date with the Recording date, the app created duplicate files with the corrected metadata in a separate folder, leaving the original files untouched and unedited. That seems like a great system to avoid destroying original data by accident. But it does eat up hard drive space since you’re duplicating the audio files in their entirety. If you use this program, I also highly recommend working from duplicate files of your originals anyway, because if you hit “save” after changing the dates, it will overwrite the metadata on the files you uploaded.

In the end, my work flow was a little ridiculous — I created duplicate files of the originals, uploaded those duplicates into the program, used the “Copy Shooting/Recording date to Creation date” command under “Quick Action” to change the dates and create the new corrected files, then deleted the duplicates I’d uploaded into the program, keeping just the originals and the corrected files.

Another quirk was that if the creation date on a file was actually accurate and had not been replaced with a modified date, the metadata apparently didn’t contain a separate “recording date.” So the program would replace the accurate creation date with today’s date and time, which obviously wasn’t the correct recording date. I only had that happen with a few files and replaced those manually with dupes of the correct originals. It was more complicated than I would have liked, but it worked out and I was happy.

The only other small hitch is that the recording dates are logged in UTC time, a.k.a Coordinated Universal Time, which is five hours off from New York time. I imagine there might be a way to make that time stamp conform to whatever time zone you’re in, but I’m not quite up for the extra work in figuring that out, and I figure UTC time is actually the most specific and accurate record you could have anyway. As long as you know the time in UTC, you can make the adjustment and know exactly when the recording was made.

Step Seven: Cleaning up the New Phone

Since iTunes annoyingly did not give me the chance to pick and choose what data I transferred to the new phone, my next job will be to remove the photos from the Photo app on the new phone, as per the owner’s request. I remember tackling this job on my own phone back in August 2021.

There are two tricks here, according to this article. The first is to mass select photos for deletion by dragging your finger across the photos instead of selecting them individually. The second is to check the “Recently Deleted” section to tell the phone to really delete the photos you just deleted. Whew!

Conclusions

And there you have it! An incredibly simple process made incredibly complicated due to the huge size of the files involved and the hinky way Mac iOS devices interface with Mac desktops. It really shouldn’t have been this hard and time consuming to back up a phone and transfer useable data to a desktop and to a new phone. I think about the millions of people who don’t have the time or interest to go through all of these steps and who might just lose gigabytes of photos, videos, emails, texts, and voice recordings as a result. Every new phone purchased increases the risks of losing priceless personal memories and cultural history. I wish I had a solution for all of that on a macro level. I can only hope that on a micro level, writing all this down might help someone else figure out how to preserve the personal memories and history they cherish.

 

 

 

 

 

 

Fixing a SpamAssassin false positive for a WordPress/MailPoet newsletter

With the possible collapse of Twitter on the horizon, I’ve become more obsessed than ever with shoring up my personal website/blog and email newsletter. So I was pretty distressed when my last two newsletters were only opened by 21 percent of recipients instead of the usual 44 or 45 percent.

I dug through my records and rediscovered the fantastic mail-tester.com website, which will give you a spam rating on a test email. I sent them my latest newsletter and got back a shocking rating of 6.9 (not so nice). The biggest deduction was -2.499 for “URI_WP_HACKED_2 – URI for compromised WordPress site, possible malware.”

Hacked? Malware? That’s terrifying!

But a quick search turned up a wordpress.org support page in which a MailPoet support person said that that flag “is a false-positive, probably because you included social icons in your newsletter or because it doesn’t identify the shortcodes added to the newsletter as valid URLs, for example.”

So I deleted the social icons at the bottom of my newsletter, resubmitted it to mail-tester.com, and got back a lovely score of 9.4! We’ll see if this really solved the problem when I send out my next newsletter — cross your fingers for me!

I’m very happy to have presumably figured out the problem, but this is also a good reminder that running your own website and newsletter isn’t necessarily easy! I absolutely think it’s worth the time and effort — even essential given how important crowdfunding independent projects has been to my career. But it’s only been feasible because I’ve had the time and inclination to turn myself into a kind of amateur expert in the technical issues involved with running my own website and newsletter.

We’re living in weird times, and they’ll continue to get weirder. I’ll keep posting here as I grapple with this all. At the very least, I hope these little tech support notes-to-self will be helpful to others as they stumble across similar issues.

Sign up for my email newsletter and get a 20% discount code for the Greg Pak Shop!

Hulk with letter, drawn by Marie Severin

Some big news – I’m going to reopen my online store for a couple of weeks so you can buy signed books for the holidays!

And if you sign up for my email newsletter today, I’ll send you a 20 percent discount code that you can use for your first purchase at the store when it reopens!

We’re living in a strange time that’s exposing the fragility of the social networks we use to connect. But even if ever social network falls apart, I’ll still be running my own email newsletter and website as long as I’m working. So sign up today and you’ll always have a way to find out what I’m up to!

And the store’s gonna be filled with awesome signed stuff that you’re gonna want, so that 20 percent discount will be pretty nice!

Thanks so much and stay safe out there, as always!

Great post from Andy Daly about turning from tweeting to blogging (or “twarting”)

Andy Daly's website graphic

Andy Daly, a brilliant comic and an old acquaintance from my New York City improv days, has written a very funny and thought-provoking post about his decision to step the hell away from daily posting on Twitter in favor of blogging — or “twarting,” as he puts it.

I very highly recommend you click away from this page and go read his post right now. Then come back for more of my brilliant thoughts!

Andy does a great job of describing the social and political pitfalls of Twitter. But this passage hit me particularly hard:

It seems that after 12 years of tweeting, I have quietly trained my brain to compose tweets all the time.  In the early days of my Twitter self-banning, I kept coming up with dumb, trivial, concise notions that were designed to be shared with the world.  I kept thinking “well, maybe I’ll tweet just this one thing”, but instead, summoning really very impressive will power wouldn’t you say, I opened the Notes app on my phone and tapped my tweet in there.

I strongly suspect that as as a fellow person in comedy, Andy, like me, spent years of his youth coming up with jokes and one-liners all the time and scribbling them down in a little notebook. So Twitter was perfectly designed for us, and we were/are pretty great at it! But posting jokes on Twitter serves masters other than ourselves and can create a less than healthy dynamic of approval-seeking that Andy wryly refers to when he “praises” the site for allowing him to “most meaningfully, [attract] attention to myself whenever I needed some.”

I missed Andy’s post when he published it back in September, but strangely, right around the same time, I was undertaking a similar project, revamping this website and amping up my blogging — mostly by going into excruciating detail about my renewed obsession with analog photography.

So I love Andy’s new (old) blog, and I particularly dig the fact that he’s letting himself write both longer posts and short bon mots he’s dubbed “twarts.” I’m not going to use his terminology, because he strangely insists “twarts” is a combination of “tweets” and “darts” instead of “tweets” and “farts,” and that’s a little too classy for me. But I am going to take inspiration from him and let myself write more very short posts on this blog about whatever, because that seems like fun.

This is also inspiring me to do a bit more research into finding a good old-school blog reader. If I can get a few more cool blogs like Andy’s into a nice app, I’ll have a great place to go other than Twitter when I want to read some funny/insightful stuff, and that’ll be a good thing.

So thanks, Andy! Also please join my web ring?

Three Good Things: Jook, FEELING GOOD, and blogging

Been a while since I posted three good things. Today felt like a good day to exercise that muscle again. So here we go:

Jook, a.k.a Korean rice porridge

ONE: Jook.

One of the easiest and most comforting meals I know how to make is jook, a.k.a. Korean rice porridge. The only ingredients are chicken, water, garlic, rice, salt, and whatever garnish you feel like adding. So simple, but it always makes me feel about three times better. I’m making some even as we speak, and just the smell is already shifting my world in the right direction.

Feeling Good by David Burns

TWO: Feeling Good by Dr. David D. Burns.

October 10 is World Mental Heath Day. So here’s a plug for Feeling Good, an incredibly practical introduction to cognitive behavioral therapy, which has absolutely helped me feel good from time to time. The book was originally written in 1980, so the social context of some of the scenarios may feel a bit dated. But I’ve found it to be hugely helpful and I’m deeply grateful for it.

Full disclosure: the link above will take you to a Bookshop.org page – if you buy the book there, I’ll get a small affiliate fee.

TWO: Blogging.

I spent more time today than I care to admit fiddling with this site to update the way menus and navigation work, and it’s reminded me all over again about how much I value having an actual independent personal website in these days of ephemeral (and often destructive) social media. I’ll probably write about this in more detail later, but posting on a blog feels a bit like shooting analog film to me these days — a conscious, deliberate way of slowing down to appreciate the process of creation and maybe make something lovely. Feels good!