
An excerpt:
NRAMA: With your work on Planet Hulk and World War Hulk, you’ve become associated with the epic story, the larger than life setting an action. Are you heading that way with War Machine, or are you looking at a “smaller” story in a sense with Rhodey?
GP: We may be approaching epic in terms of scope and emotion and even mythic scale. But one difference between the Hulk/Skaar stories and War Machine is that War Machine is very much set in the real world. Or at least, the Marvel Universe analogue to the real world. If you strip away some of the superhero trappings, almost every story we’re telling has an antecedent in real world conflicts and atrocities. We’re not using the names of actual countries — mainly because I don’t want to pretend a superhero can or has resolved the horrific conflicts from which actual human beings are suffering around the globe. But Rhodey’s new global mandate means we have a shot at investing his stories with a level of immediacy, realism, and relevance that’s deeply compelling to me both as a writer and a fan.
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“War Machine” #1 hits comic book stores on December 17. Ask your local store to preorder a copy for you today. And check out the 8 page preview story for free at Marvel.com!


A brand new “War Machine” comic book series written by Greg Pak with art by Leonardo Manco debuts in December — but you can get a sneak peek at what’s coming right now at Marvel.com!
This December marks the launch of a new ongoing Marvel comic book series focussing on Jim Rhodes, aka War Machine, the character played by Terrence Howard in the “Iron Man” movie. The book will be written by Greg Pak with art by Leonardo Manco. Here’s an excerpt from Brett White’s WizardWorld interview with Pak about the series:
During yesterday’s Mondo Marvel panel at the San Diego Comic-Con, Marvel announced that writer Greg Pak will be penning a new series launching in December that stars Jim Rhodes, aka War Machine, the character played by Terrence Howard in the recent “Iron Man” movie. The book will be penciled by Leonardo Manco and edited by Bill Rosemann.