Filmmaker and comic book writer Greg Pak drops a few hints about what he’s working on and looking forward to in 2010 at MTV’s Splash Page blog.
Check it out.
Film & TV
Pak Talks Comics: Comic books and the Apple tablet
Disclaimer: Everything written below is the sole opinion of yours truly based on personal experience and published news reports. I have no insider knowledge about any actual tablet or any company’s efforts to prepare for its coming.
By Greg Pak
In 1999, Apple changed my life as a filmmaker by introducing Final Cut Pro, a digital video editing program that allowed me to cut professional quality video on my home computer. Without Final Cut Pro, I might never have been able to make any of my post-film-school short films or my feature film “Robot Stories.” And so I might never have gotten a job working as a writer for Marvel Comics.
This month, I’m hoping Apple changes my life as a comic book writer by releasing the much-hyped but never confirmed Apple tablet, which according to the latest rumors is called the iGuide or iSlate, has a 10.1 inch touch screen, and will be announced on January 26, 2010.
In my digital comics fantasy, a gorgeous tablet computer supported by an integrated, easy-to-use and reasonably priced online store will lead to the exponential growth of the comics buying audience. Prices of individual comics will fall, but the circulation will be so much higher that profits will increase handsomely. A whole new generation will grow up reading comics every day, big comics will become blockbusters, small comics will build healthy niche audiences, and we’ll all grow sleek and fat and happy.
How can that fantasy become reality? Read on for one comic book writer’s two cents:
The eMate Hinge Fix: Yeah, I actually did it, and here’s what I learned
Another hypertechnical FilmHelp article by Greg Pak
In an article last month singing the praises of the 1997 Apple eMate as an outstanding low-tech writing machine, I noted that one of the big flaws of the eMate is its infamous hinge problem, which can result in a spring popping loose and puncturing the monitor cable.
I’m happy to report that I finally broke out my Torx screwdrivers and soldering iron and followed the excellent instructions at pda-soft.de, inventors-emporium.co.uk, and unna.org (warning: pdf) to fix my machine’s hinges.
It’s a pretty involved operation, and I highly recommend reading through the instructions and assembling all necessary tools and supplies before starting it. A few pointers:
- The hinges are much smaller than the closeup photos in the guides might lead you to believe. I didn’t measure them, but if you’re planning to do the washer fix, you should have a few very small washers on hand to experiment with. The washer I ended up using was just 7/16 of an inch wide.
- Have all the necessary supplies on hand, assuming you’ll go all the way through with the hinge fix. I opened up the machine thinking I’d just check the hinges. But when I saw that one of the springs on the hinge near the monitor cable had begun to shorten, I realized I needed to go through with the whole operation. Unfortunately, I didn’t have the recommended grease on hand, so I ended up just using a few drops of 3-In-One oil. I’m guessing that’s an acceptable substitute at least for the short term, but if the lid seems to stiffen over the next few years, I may have to open the machine up again and grease the hinges properly with the right stuff.
- When reassembling the machine, make sure the volume and dimmer tabs from the front case are lined up with the sliders on the motherboard. I forgot about this step and had to reopen the machine (which required another round of soldering).
- I freaked myself out a bit when the machine wouldn’t start up after the whole operation. But when I pressed the reset button on the back of the unit, it came back to life. I think the blank screen’s a reaction to all power being cut off from the machine during the repair process.
- It’s a good idea to have some strong epoxy ready before undertaking the repair. When I opened up my eMate, one of the small plastic posts on the inside of the machine that serves as the base of one of the battery cover screws cracked. The top of the post fell off and I had to glue it back on during the reassembly. That makes me think it’s also a good idea not to over-tighten the screws to the battery compartment to avoid stressing those posts too much.
- Make sure you have enough time to complete the project before starting. It’ll probably take at least two hours — and probably longer, if you’re taking proper care and it’s your first time opening the machine.
2010.01.14 – Greg Pak at “Planet Hulk” movie premiere in NYC

“Planet Hulk” comic book writer Greg Pak will attend the premiere of the animated “Planet Hulk” movie on January 14 in New York City. An excerpt from the official press release:
New York Comic Con (NYCC) and Newsarama.com have today announced a bicoastal event to take place on January 14th, 2010 at the Paley Center for Media’s NY and LA branches centered around Marvel Animation’s critically lauded and top-selling Planet Hulk saga that originally debuted to comic book fans in 2006. The event will feature an exclusive first screening of the upcoming animated film of the same name from Lionsgate Home Entertainment and Marvel Animated Features as well as an opportunity to meet the talent behind both the popular comic book and the animated film during an evening that will also include limited-edition giveaways and creator signings.
Two of the architects behind the red-hot Fall of The Hulks Marvel Comics event, Jeph Loeb and Greg Pak, will attend the screenings to interact with fans and talk about major upcoming changes to the Hulk Family! For fans in LA, meet the Eisner-winning, Emmy-nominated Jeph Loeb as he reveals what’s in plan for the popular Red Hulk and talks about the shocking twists ahead for Hulk. Meanwhile, in NYC, you can meet author Greg Pak, whose acclaimed work on the Planet Hulk comics inspired the animated feature! And just what’s next for Hulk’s son Skaar? Greg has the answers!
Pak Talks Comics: Reader Q&A on filmmaking!
Welcome to Pak Talks Comics, wherein comics writer and filmmaker Greg Pak answers your questions. Click here to submit your own questions — and read on for the latest answers!
Jeffrey Thompson: What attracts you to filmmaking?
Greg Pak: Filmmaking lets me flex every muscle in my body and brain. I grew up drawing, writing stories, doing black and white photography, and performing with school drama groups. All of those interests come together in making movies.
Also, I just plain love movies.
Finally, I love the process of filmmaking — particularly working with actors, the cinematographer, and the sound designer and composer to find the emotional core of a scene. There’s something absolutely beautiful about figuring out what a scene’s really about and being able to support that from every angle.
JT: Does a background with comics help with film making?
GP: It actually worked the other way around for me — I started off in film and then became a professional comics writer. Then again, when I was a kid, I was drawing cartoons long before I ever had the chance to make a movie, so I guess it works that way, too.
So the answer is yes — going in both directions. Working in film definitely helped me get my sea legs in comics. I’d written dozens of shorts and a few feature films before I ever wrote a comics script. And since the basic principles of dramatic storytelling are the same, I suppose I had a pretty good foundation. Of course, there were a ton of comics-specific quirks and techniques I had to learn (and continue to learn to this day). But all that practice in thinking about how to tell stories visually was incredibly helpful.
And now, moving back into filmmaking with my latest short film, “Mister Green,” I’m finding that there are some things I’ve learned from comics that are helping me with filmmaking. I had a great time working with my cinematographer Sam Chase on the “Mister Green” set largely because the two of us found a really great vibe and in the face of some insane scheduling pressures, we were willing to take some big chances regarding the look of the picture that paid off in a big way. (That’s Sam and yours truly to the right there, thinking big thoughts on the set of “Mister Green.”)
I think working in comics, where there’s always an insane deadline that forces a constant series of nearly instantaneous creative decisions, has helped me become a little more fearless about taking the big creative leaps necessary to find beautiful solutions to seemingly unsolvable problems.
Thanks for reading and click here to submit your own questions for the next column!
ITVS announces Futurestates series — and Greg Pak’s “Mister Green”
The Independent Television Service has released preliminary information about the Futurestates series, which includes the short film “Mister Green,” directed by Greg Pak and starring Tim Kang and Betty Gilpin.
From the official press release:
The series, which will be made available online beginning March 2010, will consist of 11 mini-features each 15 minutes in length, created by independent filmmakers exploring diverse visions of what life might look like in an America of the future. Initially, the series will be accessible exclusively online via ITVS’s redesigned website (launching in early 2010) and be available for free—via streaming video—on the new site’s enhanced broadband video player.
…
ITVS worked with over 20 of today’s best and emerging indie filmmakers to complete the 11 films to make up FUTURESTATES. Contributors include acclaimed director Ramin Bahrani, whose mini-feature entitled PLASTIC BAG is narrated by the legendary Werner Hertzog, Greg Pak ‘s MISTER GREEN and Tze Chun’s SILVER SLING.
Click here to read the whole thing.
For more information about “Mister Green,” visit pakbuzz.com/mister_green.
Greg Pak’s “Robot Stories” makes io9.com’s “20 Greatest SF Movies of the Past Decade” list
“Robot Stories,” written and directed by Greg Pak, has made io9.com’s “20 Greatest SF Movies of the Past Decade” list, joining such modern classics as “Star Trek,” “The Incredibles,” “The Host,” “Wall-E,” and “Iron Man.”
Check out the whole list here.
The eMate vs Dana vs Neo showdown!
In search of the perfect retro writing machine
A FilmHelp article by Greg Pak
Back in 2001 when my main laptop was a 6.1 pound G3 “Pismo” Powerbook with 90 minutes of battery life, I found out about the Alphasmart Dana, a two pound writing machine with a full-sized keyboard that ran on the Palm operating system, could sync with my main computer, and would operate for 25 hours on a single charge. After getting a Dana as a gift, I used it to keep a journal of the “Robot Stories” distribution process and to write some of my early comic book scripts for Marvel while on the road. I loved being able to carry it around in a backpack or satchel without feeling the weight at all. I liked being able to use it on the subway without the same level of anxiety I’d have pulling out a $3000 laptop. I loved the instant on/off nature of the machine. And I dug the way a simple interface combined with incredibly long battery life and supreme portability encouraged me to write whenever I had the chance or inspiration.
I put my Dana on the shelf and forgot about it for a while after I got my first iBook. The lightness of the iBook (and its fresh, long lasting battery) addressed some of the Pismo drawbacks that had pushed me towards the Dana. But while clearing my office of old electronics last month, I pulled the Dana down from the shelf and began using it again.
I had so much fun typing on the Dana that I found myself thinking about how it could be improved. A better screen, a stronger backlight. A different form factor that would make it easier to write while lounging on a couch or in bed. And lo and behold, while poking around various Macintosh websites, I stumbled across the Apple eMate, a four pound portable computer sold to educational markets in 1997 and 1998 that bore some surprising similarities to the Dana.
Both the Dana and the eMate were designed with the educational market in mind. Both are solid state computers with no moving parts and incredibly sturdy plastic bodies. Both run on software originally designed for pocket organizers and feature a stylus rather than a mouse. Both have black and white screens with green backlights. Both use their own barebones but functional word processors that can export and import rtf files. Both turn on instantly and automatically save everything that you type. And both run for days on a full charge.
The main difference is form. The Dana is the more stripped down machine — with a full sized keyboard and a wide but short, non-adjustable screen. The eMate has a laptop-style screen that shows about twice the number of lines that a Dana does. The eMate’s only four pounds, but the Dana’s just two.
After staring hungrily at eBay listings for a couple of weeks, I finally pulled the trigger on a used eMate — paying ten bucks for the machine and another twenty for shipping. And then I picked up a used Alphasmart Neo, an even more stripped down writing machine with a similar form factor to the Dana but without the Palm operating system and the non-writing oriented software.
So here, at long last, is a point-by-point showdown between the eMate, the Dana and the Neo to determine which computer is indeed the perfect writing machine.
Snow Leopard doesn’t allow writing to Zip disk
Another hyper-technical FilmHelp computer post from Greg Pak
While undertaking the mind-blowingly nerdy task of updating a 1995-era PowerBook 190 from OS 7.5.2 to 7.5.3, I discovered that my Mac Pro (running OS 10.6.1) would read a Zip disk in an external USB Zip drive — but it would not write new data to that same disk.
After doing some poking around, I found this helpful post that explained that Snow Leopard has disabled the ability to write to HFS-formatted disks — which was the standard when this Powerbook was produced.
In practical terms, that means to get files from my Mac Pro onto the PowerBook 190, I had to transfer them to a G4 desktop via a USB drive. Then I transferred them from the G4 to a Zip disk. And then transfer from the Zip disk to the Powerbook 190. Whew!
2009.10.03 – “All Amateur Ecstasy” and “Mouse” in DC
Greg Pak’s short films “All Amateur Ecstasy” and “Mouse” screen today in the “Best of the Shorts” retrospective programs at the DC APA Film Festival.
“All Amateur Ecstasy” will be screening at:
U.S. Navy Memorial Theater
701 Pennsylvania Ave., NW
Saturday, October 3, 2009 at 2:00 pm
“Mouse” will be screening at:
U.S. Navy Memorial Theater
701 Pennsylvania Ave., NW
Saturday, October 3, 2009 at 4:00 pm